United States, Canada and

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{"fact":"Cats hate the water because their fur does not insulate well when it\u2019s wet. The Turkish Van, however, is one cat that likes swimming. Bred in central Asia, its coat has a unique texture that makes it water resistant.","length":216}

{"fact":"A happy cat holds her tail high and steady.","length":43}

{"type":"standard","title":"Grip (occupation)","displaytitle":"Grip (occupation)","namespace":{"id":0,"text":""},"wikibase_item":"Q3274496","titles":{"canonical":"Grip_(occupation)","normalized":"Grip (occupation)","display":"Grip (occupation)"},"pageid":407241,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Camera_grip.jpg/330px-Camera_grip.jpg","width":320,"height":480},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/c/c2/Camera_grip.jpg","width":2000,"height":3000},"lang":"en","dir":"ltr","revision":"1233219711","tid":"bf1d82d9-3cb2-11ef-8316-a672c7de60d4","timestamp":"2024-07-07T22:46:28Z","description":"Camera supporting equipment technician","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Grip_(occupation)","revisions":"https://en.wikipedia.org/wiki/Grip_(occupation)?action=history","edit":"https://en.wikipedia.org/wiki/Grip_(occupation)?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Grip_(occupation)"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Grip_(occupation)","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Grip_(occupation)","edit":"https://en.m.wikipedia.org/wiki/Grip_(occupation)?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Grip_(occupation)"}},"extract":"In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography.Grips' responsibility is to build and maintain all the equipment that supports cameras. This equipment, which includes tripods, dollies, tracks, jibs, cranes, and static rigs, is constructed of delicate yet heavy duty parts requiring a high level of experience to operate and move. Every scene in a feature film is shot using one or more cameras, each mounted on highly complex, extremely expensive, heavy duty equipment. Grips assemble this equipment according to meticulous specifications and push, pull, mount or hang it from a variety of settings. The equipment can be as basic as a tripod standing on a studio floor, to hazardous operations such as mounting a camera on a 100 ft crane, or hanging it from a helicopter swooping above a mountain range.Good Grips perform a crucial role in ensuring that the artifice of film is maintained, and that camera moves are as seamless as possible. Grips are usually requested by the DoP or the camera operator. Although the work is physically demanding and the hours are long, the work can be very rewarding. Many Grips work on both commercials and features.","extract_html":"

In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography.

Grips' responsibility is to build and maintain all the equipment that supports cameras. This equipment, which includes tripods, dollies, tracks, jibs, cranes, and static rigs, is constructed of delicate yet heavy duty parts requiring a high level of experience to operate and move. Every scene in a feature film is shot using one or more cameras, each mounted on highly complex, extremely expensive, heavy duty equipment. Grips assemble this equipment according to meticulous specifications and push, pull, mount or hang it from a variety of settings. The equipment can be as basic as a tripod standing on a studio floor, to hazardous operations such as mounting a camera on a 100 ft crane, or hanging it from a helicopter swooping above a mountain range.

Good Grips perform a crucial role in ensuring that the artifice of film is maintained, and that camera moves are as seamless as possible. Grips are usually requested by the DoP or the camera operator. Although the work is physically demanding and the hours are long, the work can be very rewarding. Many Grips work on both commercials and features.

"}

{"fact":"A cat's nose is as unique as a human's fingerprint.","length":51}

{"type":"standard","title":"Lucio Margallo","displaytitle":"Lucio Margallo","namespace":{"id":0,"text":""},"wikibase_item":"Q107016767","titles":{"canonical":"Lucio_Margallo","normalized":"Lucio Margallo","display":"Lucio Margallo"},"pageid":67661867,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/en/8/80/LucioMargallo.jpg","width":254,"height":393},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/en/8/80/LucioMargallo.jpg","width":254,"height":393},"lang":"en","dir":"ltr","revision":"1190488745","tid":"36b0b84e-9d61-11ee-a9ca-1b72c962c63e","timestamp":"2023-12-18T04:52:15Z","description":"1992 action film starring Phillip Salvador","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Lucio_Margallo","revisions":"https://en.wikipedia.org/wiki/Lucio_Margallo?action=history","edit":"https://en.wikipedia.org/wiki/Lucio_Margallo?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Lucio_Margallo"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Lucio_Margallo","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Lucio_Margallo","edit":"https://en.m.wikipedia.org/wiki/Lucio_Margallo?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Lucio_Margallo"}},"extract":"Lucio Margallo is a 1992 Filipino biographical action film directed by Augusto Salvador. The film stars Phillip Salvador as the titular policeman, alongside Miguel Rodriguez, Tirso Cruz III, Jean Garcia, Paquito Diaz and Edwin Reyes. The film depicts the true story of police officer Margallo and his partner Sgt. Goyena (Cruz) of the Western Police District (WPD) who come to face off against a dangerous drug syndicate with ties to officials from their own police agency. Produced by Moviestars Production, the film was released on July 22, 1992.","extract_html":"

Lucio Margallo is a 1992 Filipino biographical action film directed by Augusto Salvador. The film stars Phillip Salvador as the titular policeman, alongside Miguel Rodriguez, Tirso Cruz III, Jean Garcia, Paquito Diaz and Edwin Reyes. The film depicts the true story of police officer Margallo and his partner Sgt. Goyena (Cruz) of the Western Police District (WPD) who come to face off against a dangerous drug syndicate with ties to officials from their own police agency. Produced by Moviestars Production, the film was released on July 22, 1992.

"}

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